History Africa Books
Egyptian Mythology: A Fascinating Guide to Understanding the Gods, Goddesses, Monsters, and Mortals (Greek Mythology - Norse Mythology - Egyptian Mythology Book 3)
Enjoy Captivating Stories of the Gods, Goddesses, Monsters, and MortalsFrom what we know of history, Egypt, along with Sumer, were the foundations of civilization. The Fertile Crescent, which stretched from the Nile Valley to the twin rivers in Mesopotamia, gave us our earliest glimpse of organized man. But organized how? For one, both locations gave us writing—hieroglyphics in Egypt and cuneiform in Sumer. There is still some debate about who was first.In this book, we will start by looking at the gods and goddesses of Kemet—Ancient Egypt. Then, we will turn our attention to the monsters which likely gave them nightmares and humbled them in their quest to bring order to the world around them.Finally, we will look at the mortals which shaped their civilization and made Egypt the bedrock of our own history. Though Egypt today is only a third-world nation, struggling with terrorism and poverty, their heritage remains vital to the understanding of who we are as a species.Just some of the topics covered in this book includeOsiris, Isis, Seth, and HorusThe Sun and CreationGods and HumansApep: Great Snake of ChaosSett: God of Desert, Storms, War, Evil, and ChaosImhotep, the 27th Century BC PolymathAkhenaten, the King Who Upended TraditionRamesses the GreatCleopatra, End of an EpochAnd Much MoreDownload the book now and learn more about Egyptian Mythology
"Collecting essays by fourteen expert contributors into a trans-oceanic celebration and critique, Mamadou Diouf and Ifeoma Kiddoe Nwankwo show how music, dance, and popular culture turn ways of remembering Africa into African ways of remembering. With a mix of Nuyorican, Cuban, Haitian, Kenyan, Senegalese, Trinidagonian, and Brazilian beats, Rhythms of the Afro-Atlantic World proves that the pleasures of poly-rhythm belong to the realm of the discursive as well as the sonic and the kinesthetic."---Joseph Roach, Sterling Professor of Theater, Yale University"As necessary as it is brilliant, Rhythms of the Afro-Atlantic World dances across, beyond, and within the Black Atlantic Diaspora with the aplomb and skill befitting its editors and contributors."---Mark Anthony Neal, author of Soul Babies: Black Popular Culture and the Post-Soul AestheticAlong with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures.Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms---their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place.Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University.Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University.Jacket photograph by Elias Irizarry
Gender and the Genocide in Rwanda: Women as Rescuers and Perpetrators (Routledge Studies in Gender and Security)
This book examines the mobilization, role, and trajectory of women rescuers and perpetrators during the 1994 genocide in Rwanda. While much has been written about the victimization of women during the 1994 genocide in Rwanda, very little has been said about women who rescued targeted victims or perpetrated crimes against humanity. This book explores and analyzes the role played by women who exercised agency as rescuers and as perpetrators during the genocide in Rwanda. As women, they took actions and decisions within the context of a deeply entrenched patriarchal system that limited their choices. This work examines two diverging paths of women’s agency during this period: to rescue from genocide or to perpetrate genocide. It seeks to answer three questions: First, how were certain Rwandan women mobilized to participate in genocide, and by whom? Second, what were the specific actions of women during this period of violence and upheaval? Finally, what were the trajectories of women rescuers and perpetrators after the genocide? Comparing and contrasting how women rescuers and perpetrators were mobilized, the actions they undertook, and their post-genocide trajectories, and concluding with a broader discussion of the long-term impact of ignoring these women, this book develops a more nuanced and holistic view of women’s agency and the genocide in Rwanda.This book will be of much interest to students of gender studies, genocide studies, African politics and critical security studies.